– Thoughtful Analysis of Essential Literature
The panel begins with a brief exercise in parsing Shakespearean prose, followed by a reading of Act II’s scenes, with attention to Polonius’ ambitious scheming, and Hamlet’s feigned (or genuine?) madness with his friends, Rosencrantz and Guildenstern.
The panel reads the first act of William Shakespeare’s Hamlet, providing an overview of the action and the textual history, with selected readings from within the five scenes paying particular attention to puns, irony, and the mirroring of characters.
The panel discusses the concluding volume of Frankenstein, beginning with Victor’s narration of his series of personal tragedies and ending with Captain Walton’s letter describing the death of Victor and the monster’s final, vengeful resolve.
The panel discusses the second volume of Frankenstein (chapters 8–16) focusing on the moral qualities of Victor Frankenstein and of his creature, their connexion to Paradise Lost, and the dangerous results of mankind usurping the creative place of God.
Madeline Potter joins the panel to begin a three-week reading of Mary Shelley’s gothic novel, Frankenstein, with this week’s discussion attending to the multiple frames of the narrative and the web of tension between pride, creation, and human endeavour.
The panel reads and discusses “God’s Grandeur”, “Thou art indeed just, Lord, if I contend”, and “The Windhover”, attending to their Romantic underpinnings, anticipation of modern poetic developments, and formal characteristics including ‘sprung rhythm’.
In the final episode on Moby Dick, the panel discusses the fulfilment of Fedallah’s prophecy and his death, Starbuck’s dilemma and despair, the destruction of the Pequod, the death of Ahab, Ishmael on the margins, and some final genre considerations.
In the penultimate Moby Dick episode, the panel discusses chapters 114–128, focusing on the ship’s sails, quadrant, compass, and line; the refashioning of the Pequod into the expression of Ahab’s will; and Ahab’s final abandonment of his humanity.
The panel discusses the Ahab’s representation as a wrathful, inhuman avatar of anti-nature, the hellish nature of the Pequod, the sorcerous conniving of the captain and crew, and the abandonment of every comfort and sentiment in search of Moby Dick.
The panel discusses chapters 91–101, with attention given to the cross-ship conduct between the Pequod and the Samuel Enderby, and to the psychological effects of sea life (and its attendant disasters) upon Ishmael, Ahab, and the rest of the ship’s crew.
The panel discusses chapters 82–90, with attention given to humour as a potential coping mechanism for Ishmael, before considering again the evidence for his identity, given his familiarity with significant legal works including Bracton and Blackstone.
The panel discuss chapters 72–81 and focus particularly upon Ishmael’s connexion (literal and figurative) to Queequeg, and the analogous, fated and willed relationships between the Pequod, the crew, Captain Ahab, and across humanity more generally.