The panel discusses chapters 16-25, with a particular attention to characterisation beyond Ishmael and Queequeg–particularly that of Peleg, Bildad, Elijah, and Bulkington–and to the overarching Old Testament Biblical influences upon the narrative.
The panel reads chapters 5-15, with a special focus on the description and narrative use of religious symbolism and devotional practice, contrasting the Christian Ishmael and the pagan Queequeg to illustrate Ishmael’s welcoming, fraternal worldview.
The panel reads the prologues and first four chapters of Moby Dick, provides an overview of the publication history of the text, and discusses the character and reliability of the jocular, circuitous narrator, who commands the reader to ‘Call me Ishmael.’
The panel concludes with an examination of Lucrece’s central role as a Shakespearean protagonist, addressing her attitude towards the conflict between Roman shame and the natural law, and how her speech is situated across historical contexts.
The panel reads the second third of Shakespeare’s Lucrece, with particular attention to the paradoxical presentation of light and darkness, and to the dual nature of guilt and shame in the poem, as situated within a putatively historical Roman context.
In the first of a three-part series on Shakespeare’s Lucrece, the panel explores the Roman history and sources for the poem, before reading and examining its metaphors with a focus on Sextus Tarquinius’ internal debate and final, abhorrent resolution.
The panel reads and discusses the connexions between three poems by Seamus Heaney: “Blackberry Picking”, “Three-Piece”, and “Mycenae Nightwatch”, with attention to their formal aspects, and their use of highly emotive imagery and references to the past.
The panel reviews the work of “The People’s Poet”, Edgar A. Guest, national best-seller, sole Poet Laureate of Michigan, host of the A Guest in Your House radio programme, and author of innumerable verses filled with indefatigable, homespun optimism.
The panel reads three poems by Rupert Brooke, a poet of the Georgian movement of the early twentieth century, whose poetry of the early Great War period suggests sentiments and ideals which were about to be transformed by modernised warfare.
The panel reads three poems by Wilfred Owen, perhaps the greatest poet of the Great War, including his “Dulce et Decorum Est”, “Anthem for Doomed Youth”, and “Spring Offensive”, with attention to their arresting imagery and formal characteristics.
The panel, joined by special guest Lane Haygood, reads H. P. Lovecraft’s Polaris, and discusses its rich symbolism, use of metaphor, deliberately archaic language, ambiguous resolution, and how its formal structure mirrors its narrative content.